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Shots The Dgrin Challenges Street, meet Orton. Orton, meet street.

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Dgrin Challenges

Congratulations to the Winner of DSS #128 (Sunrise or Sunset), ShootingStar.

The next Dgrin Challenge DSS #129 (Silhouette Revisited ) is open for entries through May 27th, 2013 at 8:00pm PDT.

As always, we look forward to your participation but please do take a moment to read through the rules before posting your entry.

Past DSS Challenge Winners, DSS Challenge Rules, and other important DSS Challenge information is here.

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Tutorials

Ever find yourself wondering just how someone managed to create an image using different effects?

Here are three simple tutorials we hope will encourage you to try something new.

The Hot Seat

A lifelong interest in landscape photography has led Eyal Oren to make a study of his adopted hometown of Marblehead, MA. As you can see, his dedication is paying off!

Africa!

Dgrinners Harryb, Pathfinder, and others joined Andy Williams and Marc Muench on Safari in East Africa recently. Here are some awesome threads to check out!

 
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Old Sep-07-2011, 04:14 AM
#1
michswiss is offline michswiss OP
Stuffed Animal
Street, meet Orton. Orton, meet street.
Ok. I'm not sure if I'm going to enter the challenge, but I thought I'd share my experiment from the day. My take on street watercolours.

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Old Sep-07-2011, 04:37 AM
#2
silversx80 is offline silversx80
I like noise
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Interesting implementation; I would have never thought to try it with street shooting. Of the four, I like the last one the best. The red and yellow really bring me into the image.
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Old Sep-07-2011, 05:28 AM
#3
DsrtVW is offline DsrtVW
Light Stalking
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My Choice would be between 2 and 4. I am leaning towards 2 color and contrast.
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Old Sep-07-2011, 05:55 AM
#4
Froch is offline Froch
~~~~
Great stuff!
Old Sep-07-2011, 10:23 AM
#5
GretaPics is offline GretaPics
Window to Secrets
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Loving #2 & #4 - composition and beautiful watercolor effect. GP
Old Sep-07-2011, 11:13 AM
#6
kdotaylor is offline kdotaylor
Major grins
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#2 has beautiful colors!
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Old Sep-07-2011, 11:57 AM
#7
lkbart is offline lkbart
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These are really sweet - I really like #2 & #3. Great light - just the right amount of exposure, they each have a great watercolor look! The red in #4 direct center just doesn't do it for me (& I keep thinking big yellow bunny tail - sorry!).
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Old Sep-07-2011, 02:46 PM
#8
tinamarie52 is offline tinamarie52
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I like #4. I could love all of them! i do like the contrasting colors and textures of these.

Chris
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Old Sep-07-2011, 03:32 PM
#9
sapphire73 is online now sapphire73
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These are quite lovely. I am most drawn into #2 and #3. Hope you enter the challenge!

Gretchen
Old Sep-07-2011, 05:29 PM
#10
cbbr is offline cbbr
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Great application! I am drawn to the face in #1.
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Old Sep-07-2011, 06:19 PM
#11
Aspecto5 is offline Aspecto5
FHO!
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Oh man, I really like #3. There's some real emotion in this set. Great job! :B
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Old Sep-07-2011, 09:53 PM
#12
fjcvisual is online now fjcvisual
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I would take number 2 and enter it. just the right level of abstract
Old Sep-08-2011, 04:58 PM
#13
michswiss is offline michswiss OP
Stuffed Animal
Really appreciate all the feedback. Given there's more than a full week left in the challenge, I'll probably go out and see what else I can get. In any case, it's fun.
Old Sep-09-2011, 02:33 PM
#14
SeascapeS is offline SeascapeS
SandiZ
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I like all of them - very cool interpretation and technique!
Old Sep-15-2011, 07:06 PM
#15
Rocketlily is offline Rocketlily
Big grins
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Great series, really hard to pick a favorite.
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Old Sep-16-2011, 04:46 AM
#16
michswiss is offline michswiss OP
Stuffed Animal
Thanks for digging this up Rock. I'm still doubtful I'll submit one as I think this is too derivative for the challenge. But it's been fun. Here are a few others I've captured this week. Love having learned something new.

For what it's worth I think I'm going to continue with this combined with something else I'm working on.

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Old Sep-16-2011, 05:55 AM
#17
billseye is offline billseye
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Intriguing stuff - very appealing too! I really like the first one.

You say these are derivative. That (and the images themselves) imply that the effect you've created is not simply the "in-camera" motion, or the dual shot, dual layer technique blur/glow technique. But...

I really like what you've done and I'm curious about just what your processing is. Would you mind sharing your steps?
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Old Sep-16-2011, 06:27 AM
#18
Anjimo is offline Anjimo
Beginner grinner
Very interesting use of orton effect. I love #2 & #4 !

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Old Sep-16-2011, 07:23 AM
#19
johnloguk is offline johnloguk
johnloguk
I think these are all stunning, very creative. I had wondered about urban shots, and whether or not they were "Orton enough"? But then the challenge is Orton Inspired, not Copy Orton, so I think these are bang on theme.
Old Sep-21-2011, 05:23 PM
#20
michswiss is offline michswiss OP
Stuffed Animal
Quote:
Originally Posted by billseye View Post

I really like what you've done and I'm curious about just what your processing is. Would you mind sharing your steps?
This is essentially all done in camera. I've experimented a lot with motion blur both at night and day. But mainly with a static camera position.

What this challenge inspired me to do was to put the camera into motion along with the subjects. All these shots were done in daylight with what I'll call a Landscape shooter's setup. Wide to normal angle lens (17-35 or 24-70) and stacked 8-stop neutral density and polarising filters. The shot I entered was 35mm, 5 secs, f/22, ISO 400. The objective was to get to a 1.5 to 6 second exposure on day lit sidewalks with as much contrast as possible. I also really wanted to avoid light trails as much as possible.

Taking the shot is basically about selecting the setting and waiting for a good subject to walk past and then following them from behind or walking backwards in front. It would certainly be easy enough to take a friend out with you to experiment to your heart's content.

The trick is to keep them essentially in the same spot on the frame for the duration of the exposure which becomes a lot about understanding your focal length and general aiming technique as it's pointless to look through the viewfinder while the mirror's up.

All post was done in Aperture to bring out the colours and textures. Each exposure was different so there's no particular technique for this.

Hope this gives you guys something to play with.
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