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#1
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Big grins
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Hi,
I have a D300 here along with some lenses, among them the 17-55 2.8. While it is a good lense and all, I am reading a lot about the 24-70 2.8. I am really tempted to get this lens and sell my 17-55. Does this make sense, give the fact that the D300 is a crop body?
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#2
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Still learnin'still lovin
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Do you shoot much at the wide end of the Nikkor 17-55mm, f/2.8G AF-S DX IF-ED? |
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#3
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Big grins
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I haven't really analyzed my shots, but out of feeling I would say I use more of the mid to long range on the 17-55. I also have a separate 11-16 2.8 (Tokina) for the wide end.
I can't really tell. My focus on picture taking is fading away from landscapes to more portrait/people stuff. I find myself often using my 70-300 to get up close to people (using the 70 mm end). And from the reviews I read, the 24-70 seems to make very sharp and good pictures. The 17-55 is not bad, but it never blew me out of my socks, if you know what I mean.
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[FONT=Franklin Gothic Medium] Just started to build my SmugMug galleries: http://cryptochrome.smugmug.com [/FONT] |
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#4
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Still learnin'still lovin
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On a crop camera I would be lost without a "standard" zoom, and the Nikkor 17-55mm, f/2.8G AF-S DX IF-ED certainly fits that category. It's just a very handy range especially event stuff which includes indoor family events. It is also a pretty good range for many outdoor activities, aka "walkaround" applications.
If those applications do not apply to your use then the Nikkor 24-70mm, f/2.8G AF-S ED is a very nice lens and capable of professional results (but, so is the Nikkor 17-55mm, f/2.8G, normally.) You might also consider a prime lens for portraiture and if you found the 70mm focal length appropriate the Nikkor 85mm primes, either one, might be appropriate to your needs. |
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#5
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Have PASSPORT will TRAVEL
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I have a 24-70 on my KM 7D and it is not wide enuff for me a lot of the times and I also shoot from the mid to long end more but when Iwant wider I do NOT have it.....my thoughts were ....when I change camera brands to go with the Siggy 17-70 which is a variable aperture (2.8-4.5 i believe)......but if I go Oly then it will definitely be the Oly 12-60...................
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#6
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Big grins
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I guess I will have to borrow one for a couple of days and see for myself.
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[FONT=Franklin Gothic Medium] Just started to build my SmugMug galleries: http://cryptochrome.smugmug.com [/FONT] |
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#7
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Still learnin'still lovin
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#8
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Commercial Photographer
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Why get rid of the 17-55mm? I totally agree with adding a 24-70mm as this is a pretty good lens from what I have read.
I personally hate having gaps in my range. It always seems like at one time or another you will end up needing it. |
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#9
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Who needs a title?
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I have a 24-70 on my D80 and for the type of shooting I do, it's a perfect match for me. Most of my shooting is in the 35-70 range. I hated the high end of my kit lens because I was always bumping up against the upper limit. My biggest complaint is that it doesn't go all the way to 80 to cover the gap between it and my 80-200 2.8. I guess I'm just going to have to give in and get the 70-200 VR
. But I really love the sharpness and focus speed of the 24-70.
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Ross - ARKreations Photography http://www.arkreations.com Nikon D700 | D300 | D80 | SB-800(x2) | SB-600(x2) Nikkor Lenses: 14-24 f/2.8 | 24-70 f/2.8 | 50 f/1.8 | 85 f/1.4 | 70-200 f/2.8 VR II | 70-300 VR |
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#10
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Krazy Korean
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it absolutely makes sense on a crop body. I don't conisder it a "waste" because you don't lose anything. In fact in some ways the IQ is superior on a crop due to less edge effects.
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#11
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Major grins
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I love this lens and use it on my DX bodies all the time with no problems.
Personally, this is my favorite zoom in the Nikon line-up. |
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#12
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Big grins
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I prefer shooting wide and long. For everything in-between, I have a 50. If you're into portraits then I second the recommendation for an 85 1.8. It's inexpensive and a good deal faster than the 24-70. Other options include a 105 VR 2.8 and the 135 2.0 DC.
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