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#1
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Major grins
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I was trying to see if I could take a picture of a piece of glass without having it be full of blownout highlights. I was able to do that by putting a Westcott Apollo light box on a Speedlite and putting it close to this glass figure.
However now the glass seems to have sucked up the color of the wood that it is on. How can I prevent this? The Apollo was next to the camera and about 3 feet from the glass with it's lower edge higher than the glass by about a foot, and it was pointed at the glass. TIA for any hints.
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#2
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Drive By Digital Shooter
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Black velvet tablecloth, perhaps? Or even a white tablecloth, but I favor black.
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Pathfinder - www.pathfinder.smugmug.com Moderator of the Technique Forum and Finishing School on Dgrin |
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#3
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Major grins
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I wanted the wood to show... sorry I didn't mention that.
But I'll give that a try, thanks.
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#4
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Polysemaniac!
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Are you using PSCS? Put Glass on own layer and desaturate the color you don't want in just the glass???
Don
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Don Ricklin - Gear: Pentax K-7 'I was older then, I'm younger than that now' .... My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust |
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#5
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Major grins
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Yes, I have PSCS but want to see if there is a lighting only solution so I can stick to just LR.
Some parts of the glass have little light rainbows in them, and if I desat I will loose those. Thanks though, I'll give that a try too.
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#6
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Polysemaniac!
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Quote:
IF you get your for incamera lighting situation worked out fine. That's a plus! Meanwhile you have a fall back Plan B! Don
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Don Ricklin - Gear: Pentax K-7 'I was older then, I'm younger than that now' .... My Blog | Q+ | Moderator, Lightroom Forums | My Amateur Smugmug Stuff | My Blurb book Rust and Whimsy. More Rust |
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#7
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More wag. Less Bark.
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Try lighting the glass from below the table. Maybe softbox from above? I'd go with as little direct light as possible.
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Moderator Journeys/Sports/Big Picture :: Need some help with dgrin? |
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#8
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Major grins
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Thanks! I didn't think of that. I'll give it a try.
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#9
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More wag. Less Bark.
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And I should add that controlling the light with black gobos camera left/right would be a good idea as well.
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Moderator Journeys/Sports/Big Picture :: Need some help with dgrin? |
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#10
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Major grins
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Are gobo's male swans?
![]() You mean like some sheer black material?
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#11
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More wag. Less Bark.
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Gobo is a "Goes Between" device. It can be anything but is usually something like a dark panel that prevents light from going through it. Sometimes you use them to prevent stray light from hitting the camera and sometimes to prevent light from getting to your subject.
In your case, you have a light wall that you'll use to reflect the light and the two darker gobo's will be to prevent any other light from making it to the table. In other words, you are controlling light going to your subject.
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Moderator Journeys/Sports/Big Picture :: Need some help with dgrin? |
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#12
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Krazy Korean
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Since the glass piece is ctruved and irregular in shape, I don't think there is going to be any external light solution for you. The glass is always going to pick up color from the table.
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D700, D600 14-24 24-70 70-200mm (vr2) 85 and 50 1.4 45 PC and sb910 x2 http://www.danielkimphotography.com |
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#13
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More wag. Less Bark.
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If you mitigate the reflections, then you'll have better results. The OP is using a softbox which spreads light everywhere (including the table top). If he still wants some of the table visible, then shooting the flash from under the table will give you the light and minimize what the table reflects back to the object.
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Moderator Journeys/Sports/Big Picture :: Need some help with dgrin? |
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#14
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Major grins
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You might try cutting out a piece of black material to just fit the ground flat base of the sculpture. I believe that will help. You should also get a copy of "Light - Science and Magic" by Hunter, Biver & Fuqua. It is a fantastic book.
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John : Natural selection is responsible for every living thing that exists. D3s, D700, D300, Way more glass than the wife knows about, LR4, CS5 |
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#15
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Major grins
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Thanks, I'm going to give try that... and that book looks pretty good too.
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Dan http://www.danalphotos.com http://www.pluralsight.com http://twitter.com/d114 |
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#16
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Unknown...and happy.
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Quote:
http://www.mazenabusrour.com/?p=103 |
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#17
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Major grins
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my idea , for what its worth
make 2 shots one with table / wood properly lit one with glass properly lit cut out the glass and paste on the other one with the wood |
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