street photography ...

[Andy]

http://www.moonriverphotography.com/photos/15249373-L.jpg

canon 1Ds Mark II, 50mm f/1.4 lens aboard.

enjoy (street) photography,

[MuskyDude]

canon 1Ds Mark II, 50mm f/1.4 lens aboard.

enjoy (street) photography,
Andy, man this shot just blows my mind. The perspective used is so creative and super well executed. :thumb Details, contrasts, exposure bang on. Simply excellent. Your ARE the master of movement in the street!

AJ

[cmr164]

http://www.moonriverphotography.com/photos/15249373-S.jpg

canon 1Ds Mark II, 50mm f/1.4 lens aboard.

enjoy (street) photography,
Course you know I always like to flip reflections...

[Aaron Wilson]

love the shoot.. now that is what i call street photography!!!!

[Shakey]

Andy what a great shot! I hope to find some similar conditions and to try in my own pathetic way to reproduce this shot or style.

You inspire ...and that sir, is a great attribute.
Cheers,
Tim

[Nir]

Fantastic Andy! Simply fantastic!

[gubbs]

I'm still trying to figure it out :scratch
but that's just one of the reasons its a fantastic shot :clap:clap

[Andy]

Andy, man this shot just blows my mind. The perspective used is so creative and super well executed. :thumb Details, contrasts, exposure bang on. Simply excellent. Your ARE the master of movement in the street!

AJ

:wave it's great to see you here on dgrin :D thanks for commenting, too.

[Ann McRae]

Way cool :clap :clap :clap

Is the street wet? I too am trying to figure it out. Great wrok. Thanks for sharing.
ann

[pathfinder]

Cool shot! How long did you stand there waiting for the right person to walk by? This was pre-planned, right? How did the water stay so smooth - traffic didn't ruffle the water surface at all?? Nicely done! :clap

[Andy]

Cool shot! How long did you stand there waiting for the right person to walk by? This was pre-planned, right? How did the water stay so smooth - traffic didn't ruffle the water surface at all?? Nicely done! :clap

it was preplanned, in that as i was approaching the intersection, i noticed the big puddle and folks' reflections in it as they were walking by. i didn't stand there at all, as i got to the intersection, i paused, waited about 2 seconds for the two folks to appear in my viewfinder, and i snapped the shutter. i was on my way immediately afterwards. for me, street shooting is a very fluid thing for the most part. only occassionally will i stay in one spot and fish for a shot.... harry used to get very upset when i would do this, as it would delay his arrival at virgil's for bbq ribs :lol3

thanks for the comment, and the kind words about my work!

[lynnma]

it was preplanned, in that as i was approaching the intersection, i noticed the big puddle and folks' reflections in it as they were walking by. i didn't stand there at all, as i got to the intersection, i paused, waited about 2 seconds for the two folks to appear in my viewfinder, and i snapped the shutter. i was on my way immediately afterwards. for me, street shooting is a very fluid thing for the most part. only occassionally will i stay in one spot and fish for a shot.... harry used to get very upset when i would do this, as it would delay his arrival at virgil's for bbq ribs :lol3

thanks for the comment, and the kind words about my work!Andy.. thats a perfect shot. I bet you were so excited when you caught it..:clap :clap :clap :clap :clap :clap

[Angelo]

Andy;

Your work makes me miss my home town! :cry

[Andy]

Andy what a great shot! I hope to find some similar conditions and to try in my own pathetic way to reproduce this shot or style.

You inspire ...and that sir, is a great attribute.
Cheers,
Tim

i hope you do shoot them, and share them!

love the shoot.. now that is what i call street photography!!!!

thanks for the kind words.

thanks tim and aaron :D

[Steve Cavigliano]

street shots, to date, IMHO :thumb :thumb

And boy do you do street shots well :clap I feel another KPOTD coming on :lol

Excellent shot and thanks for sharing it here.


Steve

[fish]

Course you know I always like to flip reflections...

That's a really nice coat, Charles...Brooks Brothers?

[ian408]

canon 1Ds Mark II, 50mm f/1.4 lens aboard.

enjoy (street) photography,
I love the contrast between male and female in the reflected image.

Really nice shot.

Ian

[FramesMedia]

Neat work! :thumb

Was she aware?

[Andy]

Fantastic Andy! Simply fantastic!

thanks. you've *got* to come to ny, nir :D


I'm still trying to figure it out :scratch
but that's just one of the reasons its a fantastic shot :clap:clap

thank you, mate!

[Andy]

Way cool :clap :clap :clap

Is the street wet? I too am trying to figure it out. Great wrok. Thanks for sharing.
ann

hiya, ann :D yeah that's a big puddle... thanks for the comment and for taking a look!

[Phil U.]

Wow, great stuff as usual Andy!

[Andy]

street shots, to date, IMHO :thumb :thumb

And boy do you do street shots well :clap I feel another KPOTD coming on :lol

Excellent shot and thanks for sharing it here.


Steve

hey steve, thanks for looking and commenting.

[rutt]

Andy, telling you that a shot like this is great seems superfluous. You knew it was a great shot the minute you took it. Everyone has told you it was a great shot. PF asked how you got it and your answer makes it clear that you have a zone for street photography that's pretty enviable.

So let me try to tell you a little more. This is a really unusual composition, the focus of interest, the face is upside down and in the lower right sweet spot. The lines and the shadows on the street have a very interesting diagonal pattern. It is counterpointed by the reflection of the torso and it's diagonal reflection. The walking feet give the picture a sense of motion. But they are walking out of the shot. No matter, the reflected torso is walking into the shot.

But wait, there is more. The subject is split in two, but in the most unusual way. Both halves are here, but one has to look at the picture for a while to assemble them. The strong abstract composition force this to happen. Cool.

But wait, there is more. This picture is a reference to the famous Cartier-Bresson "Behind the Gare St. Lazare"

http://images.google.com/images?q=tbn:UnuOA2u1W2MJ:chihiro.blogs.com/chihiro/images/cartier-bresson.jpg

HCB also managed to get an upside down face as a focus of interest in the lower right sweet spot. He also has the subject running out of the shot. You shot is almost a Cubist take on the puddle subject, compared to HCB's late Impressionism. I don't know if you were consciously thinking of this when you decided on a B&W conversion. That decision might have made sense in isolation. But I happen to know that you know this HCB picture very well. For me, this reference makes the B&W decision very natural, something I don't always think.

I also like the way this shot reflects on your own work. The shot of the man walking away in the rain with the umbrella. (I couldn't find this in you online gallery) uses similar angles and rainy B&W mood. It was also a "decisive moment" with a sense of diagonal motion.

In short, a very original image with refereces in one of the greatest photographs of all time.

[Andy]

Andy, telling you that a shot like this is great seems superfluous. You knew it was a great shot the minute you took it. Everyone has told you it was a great shot. PF asked how you got it and your answer makes it clear that you have a zone for street photography that's pretty enviable.

So let me try to tell you a little more. This is a really unusual composition, the focus of interest, the face is upside down and in the lower right sweet spot. The lines and the shadows on the street have a very interesting diagonal pattern. It is counterpointed by the reflection of the torso and it's diagonal reflection. The walking feet give the picture a sense of motion. But they are walking out of the shot. No matter, the reflected torso is walking into the shot.

But wait, there is more. The subject is split in two, but in the most unusual way. Both halves are here, but one has to look at the picture for a while to assemble them. The strong abstract composition force this to happen. Cool.

But wait, there is more. This picture is a reference to the famous Cartier-Bresson "Behind the Gare St. Lazare"

http://images.google.com/images?q=tbn:UnuOA2u1W2MJ:chihiro.blogs.com/chihiro/images/cartier-bresson.jpg

HCB also managed to get an upside down face as a focus of interest in the lower right sweet spot. He also has the subject running out of the shot. You shot is almost a Cubist take on the puddle subject, compared to HCB's late Impressionism. I don't know if you were consciously thinking of this when you decided on a B&W conversion. That decision might have made sense in isolation. But I happen to know that you know this HCB picture very well. For me, this reference makes the B&W decision very natural, something I don't always think.

I also like the way this shot reflects on your own work. The shot of the man walking away in the rain with the umbrella. (I couldn't find this in you online gallery) uses similar angles and rainy B&W mood. It was also a "decisive moment" with a sense of diagonal motion.

In short, a very original image with refereces in one of the greatest photographs of all time.

wow what can i say, john - but thank you and http://williams.smugmug.com/photos/15651399-Ti.gif ... to be compared like this is such high praise. to be sure, when i'm shooting, i'm heavily influenced by hcb and erwitt - it's really nice to know exactly how the shot made you feel and react, john.

thanks for the insights and comments.

[Andy]

That's a really nice coat, Charles...Brooks Brothers?
:lol3 fish, this is a riot!

:lol3 :lol3

[Lucky Hack]

After this you are no longer allowed to refer to yourself as "second rate" this is the kind of inspired photography that makes people famous! Such a great concept, I think that's what makes the difference between good shot and a great shot.

hoping this message finds you well -Ian

[Andy]

street shots, to date, IMHO :thumb :thumb

And boy do you do street shots well :clap I feel another KPOTD coming on :lol

Excellent shot and thanks for sharing it here.


Steve

thanks steve, i really dig this one :thumb