tmlphoto
Jan-29-2005, 08:27 PM
I've been playing around trying to get some studio shots with a totally white background. Here is a shot that shows basically what I'm going for. This was a series of test shots that I did earlier tonight.
http://tmlphoto.smugmug.com/photos/15014410-M.jpg
Notice the total lack of detail in the background and foreground. Cool huh!
Well the first problem I have is that my "studio" is really small. The background must be overexposed by about 2 stops to get this effect. In a small space it is difficult to get the subject far enough away from the background to avoid overspill like found on the following shot.
http://tmlphoto.smugmug.com/photos/15014407-M.jpg
My solution to this problem is to reduce the background exposure so that it is just barely blown and to use PS CS to clean up the rest of the background/foreground. I do this with a white brush that is fairly large. As long as the background immediately adjacent to the subject is pure white, it is easy to clean up the rest of the frame. By increasing the canvas size I can add as much negative space as I need.
Here is a picture of the background without enough exposure to white is out completely. Notice the distracting wrinkles etc. It is just a plain white muslin.
http://tmlphoto.smugmug.com/photos/15014408-M.jpg
I hope this helps someone out there understand this technique a little better. I'm certainly no expert, and if anyone has any comments or additional tips please feel free to post them. My "studio" is very low budget, but if you get creative you can get some neat images.
http://tmlphoto.smugmug.com/photos/15014410-M.jpg
Notice the total lack of detail in the background and foreground. Cool huh!
Well the first problem I have is that my "studio" is really small. The background must be overexposed by about 2 stops to get this effect. In a small space it is difficult to get the subject far enough away from the background to avoid overspill like found on the following shot.
http://tmlphoto.smugmug.com/photos/15014407-M.jpg
My solution to this problem is to reduce the background exposure so that it is just barely blown and to use PS CS to clean up the rest of the background/foreground. I do this with a white brush that is fairly large. As long as the background immediately adjacent to the subject is pure white, it is easy to clean up the rest of the frame. By increasing the canvas size I can add as much negative space as I need.
Here is a picture of the background without enough exposure to white is out completely. Notice the distracting wrinkles etc. It is just a plain white muslin.
http://tmlphoto.smugmug.com/photos/15014408-M.jpg
I hope this helps someone out there understand this technique a little better. I'm certainly no expert, and if anyone has any comments or additional tips please feel free to post them. My "studio" is very low budget, but if you get creative you can get some neat images.