Tiziano
May-23-2009, 06:07 AM
Brendan gave me a good critique of one of my flower macros where I used my new Tokina 100mm lens.
He suggests that the chiaroscuro effect may not be the best choice for flowers. This got me thinking. I'm a classically trained oil painter and am naturally drawn to light and shade (chiaroscuro). Perhaps approaching flowers in this way is not the best idea? I know that, when painting a portrait of a woman, I usually place the model in more of a frontal and/or full light arrangement. Too harsh or contrasty light and the model looks, well, somewhat masculine.
So, can you all give me some tips regarding flower photography?
I know that there are no hard and fast rules. It's art you know! But having never looked at much flower photography I am approaching this in the same way I would a painting. I am enamored with Titian (hence my moniker), Velazquez and Caravaggio and these kind of images flood my brain.
Who knows, maybe I'll start a movement!:ivar
Thanks.
He suggests that the chiaroscuro effect may not be the best choice for flowers. This got me thinking. I'm a classically trained oil painter and am naturally drawn to light and shade (chiaroscuro). Perhaps approaching flowers in this way is not the best idea? I know that, when painting a portrait of a woman, I usually place the model in more of a frontal and/or full light arrangement. Too harsh or contrasty light and the model looks, well, somewhat masculine.
So, can you all give me some tips regarding flower photography?
I know that there are no hard and fast rules. It's art you know! But having never looked at much flower photography I am approaching this in the same way I would a painting. I am enamored with Titian (hence my moniker), Velazquez and Caravaggio and these kind of images flood my brain.
Who knows, maybe I'll start a movement!:ivar
Thanks.